People do not always say what they mean. But neither do they always not mean what they say. A thought or a feeling is always better when it is intangible. As soon as it becomes tangible, it loses something and becomes a mediocre version of the intangible. Hence, there is a fated gap between what is felt and what is expressed. If we think less and directly express what we feel, this gap is relatively less. The more time a person takes to think before expressing, the wider the gap becomes.
There are degrees at which people are aware and anxious about this gap. The most non-anxious are those who are brutally honest. They say what they feel. The most anxious are those who care a lot about how they are perceived. By themselves as well as others. They overthink what they feel while deciding what they mean.
There is a difference between what we feel and what we mean. What we feel is not in our hands, but all of us carefully curate what we mean. When we think, we curate our thoughts and decide which ones to express and how to put them across. This takes us far from honesty but closer to how we want to be perceived by others. This is where the gap is most wide. But when we express without curation, we just blurt out what we feel. We may not mean it, but the impulsive expression becomes proof of a feeling felt in time. In these ‘errors,’ the gap is minimal.
No matter how hard one tries, this gap can’t be completely closed. The good artists struggle with it the most. They constantly try to lessen, if possible, eliminate the gap. Wanting the intangible to be conveyed as it is and more, without losing it in translation. The journey from putting that intangible into the tangible always keeps them unsatisfied. Whatever the language or tools they use in any form, it’s never enough and never precise. In the end, it becomes necessary for them to reimagine the form itself. That’s how poetry is born. Its language reimagined. That’s how art movements start. Driven by the urge to eliminate the gap, they invent new forms to express.
But as a society, we have also seemingly found a way to play with the gap and own it. We are hardly trained to express. We are taught languages, but not how to use them. We think that words help us communicate what we are feeling, but oftentimes, we use words to say what we don’t feel to convey what we really mean. We all like the gap. People spend their lives thriving on the gap, benefitting from it. Anyway, a brutally honest world would have been boring. The gap gives us Humour! It gives us Drama. Fiction exists solely on the basis of the gap. And if we look closely, fiction, as a form of collective awareness, is central to how we have survived and evolved.
From any point of view, the gap is inherent. Even on a good day, when there are no egos to satisfy, no impressions to make, no delusions to sustain, the gap remains evident. Even if we are brutally honest, most of us end up composing sentences that convey only 50% or less of what we feel. And even though it's dramatic and fun, it’s a routine failure.
And while going through all these failures, sometimes without even realizing them, we encounter moments of real communication. These are rare. They may or may not involve any language and can come in any form. When they do, we can’t help but notice them. Some bodily react to them. They feel natural. It feels as if that’s how it’s supposed to be. Nothing to be translated. Hence, nothing to lose. It can be a look, a silence, a hug, a gift, or even a dialogue or a monologue. It’s in these moments; the gap diminishes completely. We just get each other.
All of us may behave in different variations of these in the span of our entire lives. Varying with topics, people, and scenarios. But what we truly seek is maybe the possibility of a world where we just get each other.